Wednesday, July 29, 2009

Soundproof Magazine

Summer CatsSongs for Tuesdays
(Slumberland)
SOUNDS LIKE: House Martin-style ultra catchy indie pop for cool cats.

By: Anna Dobbie

WHY/WHY NOT: Don’t judge a book (or album) by its cover, unless it’s the debut from this cutesy Australian five-piece. The technicolor explosion of rainbows and cut-out critters represents the shiny happy world as seen through the rose-tinted sunglasses of these wide-eyed young kittens. Their sunny optimism is expressed in surfer keyboards over jangly guitars and layered vocals on "Let’s Go" and the summery, '60s-style "Super". Their lyrics are refreshingly lacking in angst and pretensions and the girly vocals from synthstress Irene sweetly compliment the songs. Although, despite pleasantly upbeat melodies, sometimes they fail to sink their claws in and grab you, and your concentration flutters away.

Soundproof Review

Heave MEDIA review

Nice pictorial review.... love an ice cream eating cat!

Summer Cats are Dirty Rock From Down Under
by Miguel Harvey

Listening to the debut LP from the winsome Melbourne quintet, Summer Cats, presented problems, largely stemming from my inability to dissociate the concept of “summer cat” from this image:

(insert above image of cat licking ice cream)

Ever dutiful, I persevered, and discovered upon further review that Songs For Tuesdays is a mostly charming exercise in warm-weather jangle and can-do attitude that begs to be blasted from your car, windows down.

The album opens with “Let’s Go,” a well-executed psych-surf workout featuring a front-of-the-mix organ that would not be out of place on one of the legendary “Nuggets” recordings of the late 1960s. A deceptively simple hook, fittingly featuring the lyric “let’s go,” gives way to a “na na na” sing-along chorus that does proud the girl groups it emulates. The catchiness of the opener surfaces continually through much of the record’s brisk thirty-minute runtime, particularly in late-album beach party “St. Tropez,” a fantasist’s “anywhere-but-here” exploration of the band’s disparate influences. The presentation of a choice between playing kissy-face with Nico and starting a bar-fight with Bob Dylan has likely never been so well-stated. Ask Lou Reed, I suppose.

It isn’t all smiles. The record is occasionally beset by inconsistent songwriting and moments of instrumental weakness. The well-intentioned rocker “Fulton Gurls” misses the mark in its attempt to approximate Elvis Costello, whose early records with the Attractions are a particular touchstone for the band. Later in the record, the witty concept and nice guitar work of “Maybe Pile” is offset by a forced drum beat and poor vocal phrasing. The worst offender is the multi-section “Camel Cords,” which juxtaposes complex instrumental changes with an undeveloped and slightly off-key melody to nearly disastrous effect.

Still, there is much to like about the band and its potential. Album highlight “Wilde Rice” recalls the great Scottish pop of the past decade and features one of the nicer vocal performances I’ve heard this year. The memorable catch-line of the verse imploring a lover to “talk about the weather” is a first-class hook, as well as a nice lyrical nod to the brief detour the song offers from the album’s generally sunny aesthetic. “

Rice” and the engaging Rhodes piano-featuring “Christopher Wren” suggest that we can expect great things as the band matures and finds a more consistent songwriting voice. Bonus points awarded for great production throughout the record.

Double points for the cute cover art. Really, it’s seriously fucking adorable, with birds.

HIGH POINT: A compelling grab-bag of influences, a great attitude, and some memorable moments add up to a promising debut from a group to look out for.

LOW POINT: Inconsistent songwriting and occasionally uneven playing are hallmarks of a young band finding its voice.

Full article on Heave Media

Parasites & Sycophants

Great banner pic!
Australia’s Summer Cats debut Songs for Tuesdays
Tuesday July 28, 2009
Mixing fuzzy guitars and keys with jangle, feedback, and other things pop, Australia’s Summer Cats bring Songs for Tuesdays. Released on Slumberland earlier this month, The Melbourne five-piece come with all the perfect indie pop reflections of the label’s own 90’s releases and more. Thirteen tracks of good times, with nary a bad track, though you will certainly find some standout favorites.
http://www.parasitesandsycophants.com/2009/07/28/australias-summer-cats-debut-songs-for-tuesdays/

Neon Filler Review


Mog / Neon Filler Review Review- Songs for Tuesdays
23rd July 2009
With nothing in the weeks releases that grabbed me I decided to pick an album that I knew nothing about. This is a tactic that has brought me great rewards in the past, but also unearthed some real stinkers. The album I chose was Songs For Tuesdays by Summer Cats, and it definitely falls into the former category.

Released on Slumberland Records, a label that has released records by Velocity Girl, 14 Iced Bears, Stereolab and, more recently, The Pains Of Being Pure At Heart it is in perfect company. The album is like a compilation of all the best indie pop sounds of the last 25 years.

Summer Cats are from Melbourne, home to another notable indie pop act Architecture In Helsinki, and they aren't afraid of wearing their influences on their sleeve. That isn't to say that they are slavish copyists, but you can hear influences throughout the record. And it is a record that achieves something pretty special by every song sounding different to the last, without losing a cohesive identity.

Opener 'Let's Go' is reminiscent of Superchunk, 'Hey You' a lo-fi Apples in Stereo. 'Maybe Pile' The Go-Betweens and on 'St. Tropez' there is even a little Camper Van Beethoven going on. Elsewhere on the record I hear elements of The New Pornographers, The Tyde and The Pastels. All that and more, including single 'Super', comes across in thirteen fuzz and jangle pop nuggets, only one song breaking the 3 minute barrier.

Normally I would shy a way from an album that is so backward looking, but it is impossible not to be pulled in by the shear fun and energy of it. There isn't a duff track on the album and despite some overly fuzzy production it sounds great.

Sure, it isn't the kind of record that is going to change the face of music. And I'd be surprised if the band receive more than a small, but loyal, following. But so what? It is a great and uplifting slice of the true spirit of indie pop. If you enjoy any of the bands mentioned in this review, or any other fun indie pop from the last 25 years then I can't recommend this enough.
9/10

Neonfiller

Music Remedy

A very kind review from Music Remedy..
Summer is the perfect season for pure, catchy indie pop, and while it’s just turning to winter for Australia’s Summer Cats, Slumberland is excited to ring in North America’s warmest months with their debut full-length, Songs for Tuesdays! Building on their single releases, including 7?s on Cloudberry, Slumberland and Knock Yr. Socks Off, two 3? CDRs on Cloudberry and WeePOP! and their Scratching Post EP on Popboomerang, Summer Cats’ debut album is all set to deliver on the promise of their already impressive discography, not to mention the 3 1/2-star review they garnered from Pitchfork, after only their second live performance.

Summer Cats play upbeat pop songs in a Stereolab-meets-Go-Betweens style, replete with distorted keyboards, feedback guitars and hook-laden basslines and all accompanied by Scott Stevens’ distinctive vocals. They are best played loud, in your bedroom, while your parents are out. The Melbourne five-piece not only know how to write addictive pop songs with just a hint of ’60s garage edge–catchy numbers like “Super” and “Lonely Planet”–they also know their indie pop history. Nowhere is this more evident than on stand-out mid-album tracks like the boy-girl duet “In June”, which could easily be the best Velocity Girl or Earthmen song of 2009, and the jangle-pop of “Wild Rice”, which recalls the folky early-’90s Rhode Island indie scene of Slumberland faves Small Factory and Honeybunch.

This side of Songs for Tuesdays brings back the feeling of the our classic collaboration with another Australian indie powerhouse, Summershine Records, the Just a Taste compilation.None of which, of course, is to suggest that Summer Cats are looking backwards. They have already shared sides of wax with similar modern day pop groups like Eux Autres and labelmates The Pains of Being Pure at Heart, and are set to keep the momentum going with the upbeat, danceable 33 minutes of fun that is Songs for Tuesdays.

Due for release on July 14, it’s sure to be part of another bumper year for the band.

Music Remedy review is here

Amazon

It's not like we're not going to have an album on Amazon for ever! ...

And Critical Joe was kind enough to post some lovely words as an amazon review... how exciting!
SummerCats on Amazon

Dryvetyme Onlyne

Great line! "If you could imagine a record made by Belle & Sebastian’s annoyingly, yet loveable, hyperactive baby sibling" hehe.


Dryvetyme Onlyne Blogspot- Album Review
July 14th 2009

Being deemed “cute” can prove to be a death knell for any grown-up artist or band’s burgeoning career. You’re instantly pegged with other modifiers such as precious, charming, and bubble-gum, and then forced to work uphill to prove that you’re not some sort of joke. As appealing as one’s fresh, upbeat pop sound might be, music critics and fans are often unfortunately prejudiced against such sonic textures, considering only “serious” music to be of long-lasting worth. True, such practices are quite unfair, but look at it from the opposite angle: there’s a wealth of examples to bear in mind where fun, cutesy, novelty acts have captured our attention for an instant before passing away into the night.

This is the road that Summer Cats has to traverse on its debut full-length, Songs For Tuesdays. The happy-go-lucky Australian quintet definitely knows how to craft bright, smart, and shiny pop music, doing so with a great appreciation and awareness of musical history. With influences that rang from Stereolab and sour ‘80s pop to ‘50s bop and ‘60s twee garage pop, the band makes its mark with an intensely engaging over-the-top energy that makes me a bit reminiscent for the simpler, sweeter times in life.

Songs For Tuesdays is built upon a thick, spongy bed of bouncy, fun tempos, affable vocal melodies and harmonies, and uncomplicated pop song construction. Led by “In June,” “Wild Rice,” “Christopher Wren,” and “Lonely Planet,” sugary tunes that are barely three minutes in duration make for a familiar, friendly sonic palette from which Summer Cats paints.

Unfortunately, as evinced most notably with “Super,” “Maybe Pile,” “Camel Cords,” and “St. Tropez,” there are times when the “cutesy” really starts grating on the listener’s ears, especially as these tracks also feature the band’s most peculiar lyrical material.

If you could imagine a record made by Belle & Sebastian’s annoyingly, yet loveable, hyperactive baby sibling, you might have an idea of what Songs For Tuesdays inevitably sounds like. Seeing as how this outfit hails from a country with a substantial and much heralded beach culture, Summer Cats has certainly crafted a fun-loving album that would find a welcome home at any summertime beach party.
Dryvetyme online can be read here